BACCARAT CRYSTALS and BOHEMIAN CRYSTALS
BACCARAT CRYSTALS
The glass factory in
Baccarat village was established with the order of King Louis XV in 1764 and
crystal production started in 1816. The factory, which gained an international
dimension with its magnificent mirrors, chandeliers, candlesticks, tableware and
deco- rative objects, has become a brand in world crystal production. In 1855,
the Baccarat Factory participated in the World Fair held in Paris with special
products and received great interest. Some of the designs in the factory were
also inspired from Antique Period, Far East and Middle East. In 1867, during
his visit to France, Sultan Abdülaziz purchased many works produced in the
Baccarat Factory. Towards the end of the 19th century, Baccarat became the
first factory to produce perfume bottles for famous perfume producers. In the
National Palaces Collection, the Baccarat Factory products include mirrors,
crystal chandeliers, candlesticks, tableware and decorative artifacts. In
addition there are also examples of 'Baccarat' objects, inspired by Japanese
art which became popular in the second half of the nineteenth century. The
Baccarat that acquired the title "the Crystal of Kings" with its
attractive glittering in the grandiose places and tables of the 19th century
Ottoman palaces, bears this title with its quality and original designs.
BOHEMIAN CRYSTALS
Bohemia is one of the
important centers of glass decoration art in the world glassware production. It
is known that in the 13th and 14th centuries the glasswork began in the
"Bohemian" region (present-day Czech Republic) within the borders of
the Austro-Hungarian Em- pire. From 16th century this region reached an
important position and from the beginning of 18th century glass was exported to
many countries from India to South America. In 1893, famous engraver Ludwig
Moser founded a glass factory in the north of Bohemia. By the end of 19th and
early 20th centuries the products of this factory adorned the palace venues and
tables. These prestige products, made in European Baroque style as well as
inspired by Japanese and Islamic art, attracted the attention of the Ottoman
sultans. In the factory, original forms with geometrical and floral motifs,
decorated with gilt, were designed to appeal to the Ottoman taste.

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